It is time to tell your favorite sites to stop
mandating cookies. It is very simple for them to change their sites to ask for cookies rather than mandate that
you put something on your computer that was a bad idea from the get-go. Better yet, turn them off all together.
They will say it about this or that.
What is means for you is that you leave an
important security access open. Go to your computer's browser and refuse all cookies. Do so also with your fire
wall, also.
What about those sites that mandate cookies?
Think about it. Do you really need those sites. All of our sites do not use cookies in any form. Links to our sites
cannot have mandated cookies.
It's time to turn a bad idea off and refuse
to use cookies. A message from: The Society
for Accurate Information and Distribution Foundation
WANTED:
GRANT WRITER AND UNDERWRITING
SPECIALIST

501 (c)(3) foundation. Foundation is in East Lansing,Michigan, but you may work from your location. You
answer to the Director of Operations and will be in charge of your own activities.
Must be self motivated and have examples of prior
successful grant applications. Must also enjoy working with business and civic leaders
to secure underwriting for operations of noncommercial internet and broadcast operations. You will be showing them how to stretch
their marketing budget while generating significant good will for their business.
If you are the right person, you will be handsomely
rewarded. This is a fulltime position which will grow with the foundation.
Contact Dave:
517 - 242-8700
* Albert Camus (1913-1960) was a representative of non-metropolitan
French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in
his thought and work. Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary
tendencies, with a deep interest in philosophy (only chance prevented him from pursuing a university career in
that field), he came to France at the age of twenty-five. The man and the times met: Camus joined the resistance
movement during the occupation and after the liberation was a columnist for the newspaper Combat. But his journalistic
activities had been chiefly a response to the demands of the time; in 1947 Camus retired from political journalism
and, besides writing his fiction and essays, was very active in the theatre as producer and playwright (e.g., Caligula,
1944). He also adapted plays by Calderon, Lope de Vega, Dino Buzzati, and Faulkner's Requiem for a Nun. His love
for the theatre may be traced back to his membership in L'Equipe, an Algerian theatre group, whose "collective
creation" Révolte dans les Asturies (1934) was banned for political reasons. - From Nobel Lectures, Literature 1901-1967, Editor Horst Frenz, Elsevier
Publishing Company, Amsterdam, 1969
Copyright 2008 The Society
for Accurate Information and Distribution. All rights reserved.